International Journal for Digital Art History: Issue 1, 2015

International Journal for Digital Art History: Issue 1, 2015

What is Digital Art History?

Liska Surkemper (Hrsg.), Harald Klinke (Hrsg.)

Band 1 von 2 in dieser Reihe

Paperback

132 Seiten

ISBN-13: 9783942819107

Verlag: Graphentis Verlag e. K.

Erscheinungsdatum: 01.09.2015

Sprache: Englisch

Farbe: Ja

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The Digital Age has revolutionized economy, society and our private lives. For decades now, digitalization has also touched most branches of the humanities. With the rising importance of the so called Digital Humanities, Art History is about to change significantly. Thus, the "International Journal of Digital Art History" (DAH) will give authors in this field the opportunity to reach a wider audience, spark a discussion on the future of our discipline and generate an international and interdisciplinary network of scholars and practitioners.

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Liska Surkemper

Liska Surkemper (Hrsg.)

Liska Surkemper is a Ph.D. candidate for architectural and cultural theory at the Technical University Munich. She conducts research on visual epistemology and the interrelationship of pictures, architecture and economy.
From 2010 to 2014, she was a researcher and lecturer at the Department of Art Research and Media Philosophy at the University of Arts and Design Karlsruhe. She was also coordinator for the DH project "Memory of Scientific Knowledge and Artistic Approaches", which was supported by the German Federal Ministry of Education and Research (BMBF). Together with computer scientists, designers and arts scholars she helped develop the web application "Presenter": a tool for visualizing, sharing and archiving scientific and artistic knowledge.

Harald Klinke

Harald Klinke (Hrsg.)

Harald Klinke has a Ph.D. in art history and a Master of Science in Information Systems. Currently he is Assistant Professor at the Ludwig Maximilian University, Munich, and member of the Program Committee of the DFG-funded project "The Digital Image". He conducts research on visual communication, digital media, and Big Image Data in art-historical contexts.
From 2008 to 2009, he worked as a Lecturer of Visual Studies (Bildwissenschaft) at the Art History Department of the University of Göttingen. From 2009 to 2010, he conducted research, supported by a grant from the German Research Foundation (DFG), as a Visiting Scholar at Columbia University, New York. He has published books on art theory, digital images and digital transformation.

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